太阳神

《太阳神》讲述的是什么故事？

《太阳神》　　Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

一、《太阳神》是哪一年上映的？

《太阳神》是沃尔克·施隆多夫于1970年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《太阳神》上映时票房稳坐前三，创下当年纪录。当时赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕均为最佳主角，赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕以精彩演技和突出形象，奠定在其它影坛地位。赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕饰演角色造型多年后仍为人所模仿。沃尔克·施隆多夫之前曾被人怀疑其能力，而《太阳神》却奠定沃尔克·施隆多夫剧情片风格。《太阳神》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1970年代）其它（其它）优秀剧情片齐名。

二、被称为剧情片的开先河之作的《太阳神》，是沃尔克·施隆多夫最好的作品吗?

从沃尔克·施隆多夫斩获剧情片最佳导演 我就觉得这部《太阳神》是他最好的剧情片。虽然沃尔克·施隆多夫后来还拍出来了评价特别好的剧情片，但是《太阳神》是他剧情片的代表作品。

三、《太阳神》为什么可以成为经典？

提起其它，人们就肯定会说出《太阳神》的名字。这部由沃尔克·施隆多夫导演，赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕主演的《太阳神》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连沃尔克·施隆多夫导演和赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕，都没想到这部剧情片会得到这样好的反响。沃尔克·施隆多夫先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《太阳神》开拍之前，赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕已经有几年年无戏可拍，而赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《太阳神》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！

四、如何评价《太阳神》?

《太阳神》口碑非常好深受广大观众喜爱，《太阳神》一经播放立刻引来无数人点赞，不仅赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕演的好而且该剧情片故事情节也非常紧凑，草民影院（shanpukeji.cn）观看起来特别流畅同时还能扣人心弦，虽然目前《太阳神》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕，她在该剧情片中的演技可圈可点，受到赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕演的好而且该剧情片迷的认可。

五、《太阳神》剧情片的主要内容

《太阳神》是一部剧情片剧情片，由导演：沃尔克·施隆多夫执导，主演：赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,Walter Sedlmayr,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕

《太阳神》　　Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.